Comms AnnualReport 2024HeaderAnnual Report • President’s Letter
A sculpture made of orange discs hanging from tree branches
A man and a woman standing side by side looking at a computer monitor with a chalkboard behind them
A Pacific Islander college student sits on the floor reading a textbook
A multi-tiered concrete building covered in vines
Portrait of Theaster Gates

In a year defined by national political instability and growing global conflict, the Mellon Foundation remained focused on the transformative and vital power of the arts, culture, and humanities. Our grantmaking was grounded in the programs and institutions that, along with Mellon itself, collectively serve as cornerstones for unfettered and diverse creative work, scholarship, and accurate and inclusive preservation and commemoration efforts in the United States. Throughout 2024, we made certain our work did its part to further strengthen our grantees and organizational partners—and remain ready to do so in the months to come.

The nearly 650 grants issued in 2024, totaling about $540 million in grantmaking, broadly fueled activation and engagement among the vastly different American communities we support. Many of these collectively undertaken efforts are addressing problems and generating possibilities for artistic expression, historical inquiry, and academic freedom. They include groups ranging from literary writers to civic leaders; they take place in spaces such as rural geographic regions and academic fields of study; and they are born from collaborations like those between local arts and culture institutions and the people they directly serve.

Mellon’s new Frontera Culture Fund, an initiative launched this year through our Arts & Culture program, is advancing the artistic visions driven by cross-cultural and transnational communities sharing both common objectives and complex challenges in the US-Mexico borderlands.

Public Memory Labs, which were funded this year at local libraries through Mellon’s Public Knowledge program area, are preserving personal histories “from Appalachia to the American Southwest,” often with community members who do not otherwise have the resources to bridge the digital divide or whose cultural histories have been underrepresented in American archives. Art installations that were funded under the auspices of Mellon’s Puerto Rico initiative have been taking shape in the archipelago’s El Yunque National Forest, where community members are invited to engage with these unexpected perspectives on creativity and the local ecosystem.

Images above from top: “El Portal del Yunque: Presence and Lichen” by Ivelisse Jiménez displayed in 2024 in the El Yunque National Forest. Photo: Christopher Gregory-Rivera; The UCSD Community Stations, led by Fonna Foreman and Teddy Cruz, take a multi-disciplinary approach to civic planning, merging the fields of architecture, urbanism, and political theory. Photo: Camila Falquez; Ho’oleia Ka’eo, a graduate student in the Native Hawaiian and Indigenous Health program at the UH Mānoa. Photo: Brendan George Ko; The National Audio-Visual Conservation Center is located in the foothills of the Blue Ridge Mountains and protects the most comprehensive collection of audio and visual media materials in the world. Photo: Stefan Ruiz; Through his “Monument to Listening” in Memphis, Tennessee, Theaster Gates wants hero Tom Lee to be remembered as “a human who saw other human lives as equally valuable, if not more valuable, than his own.” Photo: Joshua Asante. All photos for Mellon Foundation
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